|splitter orchester at nalepa studios, berlin 2014. photo: uta neumann|
Liz Allbee (Trumpet), Boris Baltschun (Electronics), Burkhard Beins (Percussion), Anthea Caddy (Cello),
Anat Cohavi (Bass Clarinet), Mario de Vega (Electronics), Axel Dörner (Trumpet), Kai Fagaschinski (Clarinet), Robin Hayward (Tuba),
Steve Heather (Percussion), Chris Heenan (Contrabass Clarinet), Gregor Hotz (Management), Mike Majkowski (Double Bass), Magda Mayas (Clavinet), Matthias Müller (Trombone), Andrea Neumann (Inside-Piano), Morten J. Olsen (Percussion), Marta Zapparoli (Field Recordings, Electronics), Simon James Phillips (Piano), Julia Reidy (Electric Guitar), Ignaz Schick (Turntable, Electronics), Michael Thieke (Clarinet), Clayton Thomas (Double Bass), Sabine Vogel (Flutes), Biliana Voutchkova (Violin)
Home of Splitter Orchester
The Splitter Orchester, founded in 2010, is
a Berlin-based collection of internationally
respected composers/performers which draws
inspiration from many genres, most noticeably
contemporary and improvised music. Splitter
Orchester originates from the Echtzeitmusik
scene which emerged in Berlin in the mid-1990s - a locally based and globally networked
experimental music scene and long-term platform
for the exchange of artistic ideas.
All the members of the Splitter Orchester are simultaneously composers, interpreters and improvisers that collectively elude clear classification - forming an ensemble most comfortable in the creative borderland between composed and improvised music. They utilise a broad variety of extended techniques on traditional, electronic, and especially constructed and tailored instruments. The main focus in their artistic practice is the production of sound (as opposed to musical material) and on how to diffuse it in space. The collaborative nature of musical creation within a Composer-Performer context is integral, from the first sketch to the performance.
Ten different nationalities are represented in the orchestra, although all the members are currently based in Berlin. The Splitter Orchester is an example of how the contemporary music scene in an international context is changing and experimenting (especially in Berlin), with newer forms of musical communication and presentation. Splitter Orchester is not a homogenous body, but consists of a variety of autonomous and ultra- specialised musicians/composers who choose not to work in an institutionalised framework and call the existing hierarchies in the music establishment into question. The whole group relies on each member equally and deliberately denies established leadership roles to create an experimental production field, which is process- oriented and, therefore, socially relevant in a broader sense.
The long-term ongoing collective work processes of the orchestra utilise a wide range of improvisational and compositional approaches - analysing and contextualising specific methods and practices of composition and improvisation. Over five years of experimentation, the ensemble has developed an extraordinary artistic profile and specific group sound.